Unfortunate endings

May 12 marked the 10th anniversary of the death of a very good friend.

In honor of that anniversary, I have transported to this website a blog post I wrote two years after he died and published elsewhere. It is not only about his death, but it is about the death of another friend.

Glenn Gibson and Mary Ann Miller had something in common. They both committed suicide.

Actually, they had more than suicide in common. They both worked at the Art Gallery of Ontario in Toronto where I also worked many years ago and where I met them.

I still live with items they gave me. My Mexican drinking glasses sit on tea towels from Mary Ann, I keep a black silicone heat-resistant mat she gave me on my breadboard.

From Glenn I have many creative oddities on display, including a necklace with a pendant made from a doll’s arm spray-painted gold, a bat necklace, a chicken bone painted black and gold and partly wrapped in foil, a silver cut-out heart in a box, a picture of a man playing the cello signed on the back: “G n Charlie” (Charlie was his dog). I also have a purple bathmat he gave me, which is not currently in use. I have other gifts and cards from Glenn hidden away in boxes.

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After he died, Mary Ann used to talk about having a retrospective of his work.

Since I moved to Mexico I am often reminded of him because he loved death imagery, which is very popular iconography in this country. My first real introduction to it was when I visited him for a week in New Orleans.

First published on October 16, 2007 on another blog:

A friend of mine killed herself a few weeks ago. I knew her for about 20 years. We met at the Art Gallery of Ontario where she organized special events and functions. I was a waitress in the member’s lounge.

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The day I found out she’d killed herself, I saw this graffiti in Philosopher’s Walk near the Royal Ontario Museum in Toronto. I wondered how many people would share this sentiment: “Open up your eyes and realize there’s no better place than here, there’s no better time than NOW.”

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Mary Ann would visit the member’s lounge for a glass of wine after she finished work on Wednesdays — the one day of the week that the gallery stayed open late. We liked each other, but we didn’t socialize.

We were both very good pals of a talented, yet troubled, artist friend who killed himself in May 2005. I also met him during the two years or so when I worked at the gallery. Glenn was a waiter in the restaurant and a gifted jeweller and artist.

The two spent a lot of time together. She was an excellent friend to him.

She was laid off after 25 years or so of working at the gallery. He killed himself on her last day on the job.

He was quite ill physically and was suffering from depression. He was an alcoholic and abused drugs. He threw himself on the subway tracks at the Queen Street subway station after checking himself out of St. Michael’s Hospital.

The last time I saw him he was so high that he could barely speak. We went to see the film “Ray” at the Bloor Cinema and he passed out and slept through the entire movie. He phoned me at about 1:30 a.m. to apologize.

We tried to meet again a couple of times, but he never showed up.

He had tried previously to kill himself. I had intervened and taken him to the hospital on one occasion. I had also helped get him out of jail when he got into a mess while holidaying on the Caribbean island of St. Eustatius.

After he killed himself, Mary Ann and I got together from time to time.

I hadn’t heard from her for quite a while, but I sent an email to her husband about a week before she hung herself on her back deck.

Apparently, she left no note, but had been suffering from insomnia and anxiety.

Her memorial was held while I was away in England.

While I was in London I saw an exhibition of the work of John Everett Millais at the Tate Britain. His romanticized image of Ophelia after she killed herself is shown below.

P149-3139_3These are not the first friends I’ve known who have killed themselves.

A long time ago, when I lived in Ottawa and was in Grade 8, a friend killed himself while sniffing glue.

Mama Killa alights on Carretera Molino de las Flores

IMG_0064It takes time to uncover the secrets of Texcoco, a small city with ancient roots that spills quickly from a dense urban centre onto rural roads, which roll through smallholder maize, wheat and cactus fields scattered among quaint mountain villages.

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Any high-altitude home in the area offers a valley view and a nightly fireworks display originating at one or another village fiesta. Once dark falls, a cacophony of howls and barks from wary dogs reverberates, punctuated by the bangs and booms of fireworks.

Explorations in the city core, home to about 250,000 residents, have revealed friendliness, helpfulness, fascinating market stalls, eclectic cuisine, arts and culture.

To a newcomer getting by on Google Translate, mime and a few paltry words of Spanish learned in daily language classes, experiences are a mystery — at times confusing, thrilling, merciful or infuriating.

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Too many mysteries to detail here.

On one occasion, a hairstylist who rang me up to tell me he had to cancel my appointment because he was going to Guadalajara, but would be in touch when he returned to Texcoco. I’ve never heard from him since and that was two weeks ago.

A delivery man from Ingenia Muebles, a furniture shop in Gran Patio, the posh shopping centre on the road to historic hacienda Molino de las Flores, delivered a broken piece of furniture a week late, then picked it up three weeks later and still has not delivered a usable piece of furniture, turning an October 25th purchase into a six-week ordeal (Since delivered on December 14 — now awaiting delivery of promised improved furniture, ed.). The shop has an email address which doesn’t work and they didn’t reply to me via Facebook.

At the Casa de Cultura on the Day of the Dead (Dia de Muertes) I became the target of fun for actor Arturo Rosales who was dressed in gothic Victoriana. I stood my ground for about an hour before sneaking out onto the street when her back was turned.

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On the positive side, the zocolo marketplace: women selling herbs; the bean sellers; veggie people; a man selling housewares; the bakery — Panadería Catedral; a man who speaks a bit of English in the hardware store; the butchers in nearby Bodega Aurrera;  the women at Chocolates Johfrej; the wait staff in Oasis; the merchants in the Railway Market the glass shop — El Crisol — all friendly despite my language handicap.

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En route to Molino de las Flores, hardware store Zarco, an electrical shop and flower shop all superb.

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By chance, I visited nearby Mama Killa (Incan Mother Moon) after buying a small poinsettia in a next-door greenhouse.

The roadside structure, entirely built out of packing crates retrieved from various warehouses around Texcoco, is a shop, a restaurant, a meditation center and more. It opened two weeks ago and is still under construction.

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I was greeted by several friendly staffers and the English speaker took the time to give me a tour of the various spaces under flickering lights, explain the menu — which includes vegetarian options — and in the shop a wide range of organic and environmentally-friendly local products, including olive oil, jam, sea salt, lotion, shampoo, toothpaste, laundry detergent and cleaning products.

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I was given a 10 percent discount on the items I purchased, plus I was handed a few extra products as I left.

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It reminded me of how my father used to create pieces of furniture out of wooden packing boxes for fruit by filling in gaps between planks, then applying stain and varnish. I use one as a pedestal for some Indonesian puppets.

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